Still unspent.

Turned by time still turning

This coin was struck by hand in the workshop of Alexandros of Miletus, somewhere in the fourth century before our era, from a blank of copper that had already lived one life as a temple nail. The lion on its face was cut into the die by an apprentice whose name nobody wrote down, and the strike landed a little off centre, as they often did. It passed through the purse of Theron the ferryman, paid for a night's lodging in Halikarnassos, and was lost in the mud of a riverbank for eleven hundred years. A farmer's daughter, Eleni Vassilaki, found it in the spring of 1911 and kept it in a matchbox under her pillow. The high points wore smooth against her thumb. Every scratch on it is a hand it has known, and every hand is a story that nobody finished telling.

Struck

The mint workshop, a forge glowing in the dark
The apprentice swings the hammer over the die

No blade had ever marked the lion. An apprentice's burin did, and the strike landed a little off centre.

Miletus, c. 350 BCE

Alexandros of Miletus

Refused

A still black river at dawn, reeds and cliffs in the fog
The ferryman stands in his boat and holds the coin up

The ferryman weighs every obol in the dark. Short weight does not cross: it goes back to the shore of the living.

The crossing, refused

Charon

It came back.

Worn smooth against a thumb

Three letters, unread